ZzaC.info
SeiwooGang
Nys
Philippe (Be) – Philosopher - Paris – France
CONTACT : t philippe.nys@laposte.net
GENERAL FIELDS AND RESEARCH'S INTERESTS
Hermeneutics, Poetics and
Theory of Space's Design
NEWS
:
Emscher park, matrice et enjeux
d'un pittoresque contemporain
annonce du cycle de conférences
chiasma,
école nat sup de la villette,
octobre 2006-janvier 2007 HERE
Next intervention
the 2d of July
2008,
Last
Publication
“The Picturesque at the Age of its Technical
Reproduction”, in Cultural Landscapes, edited by
Rossella Salerno, Politecnico Milan , from a
symposium in Milano, december 2007
Last Jury
22th and
23th of May 2008,
Last Text
“Du paysage aux confins de l’image », dans Paysage
& Modernité(s),
textes réunis et rassemblés par Aline Bergé et Michel Collot, Recueil/Ousia,
Bruxelles, décembre 2007 ICI
http://www.eurorgan.be Diffused in
Last research
2004-2007, Scientific Director of a research
"The Picturesque and the limits of modernity"
Ministry of
Last
lectures
2007
2006
Seoul 2006, CCF Seoul, South korea
LINKs (Recent) :
http://www.planum.net/diap/international-research.htm
http://www.sofi.ucl.ac.be/cep/publstevens.html
http://www.amazon.fr/jardin-explor%C3%A9-Une-herm%C3%A9neutique-lieu/dp/2910735214
http://www.inra.fr/dpenv/biblic40.htm
http://peuleu.exblog.jp/6016558/
http://www.bookfinder.com/author/philippe-nys/
Books :
1999 - The Explored Garden. A
Hermeneutics of Place. Volume One. (Le jardin exploré. Une herméneutique du
lieu, volume un),
Editions de
l’Imprimeur, Paris-Besançon.
As places born of desire,
gardens have been abundantly commented on from the historic viewpoint. If they
are often misunderstood, their role in the domains of heritage, architecture
and urbanism is nonetheless increasingly recognized. As for their status in the
arts though, from an aesthetic viewpoint it is problematic and remains today,
as it was in the past, a vector for project and meaning. The theme of the
garden is thus that of an eminently complex place – one that calls on diverse
knowledge and techniques, embodies deep symbolic meaning, invents its own
language, and poses questions as to its process of emergence and its nature.
What can we say of the relationships established between the place itself (the
in situ), the experience that leads up to and provokes such a space (the in
actu) and the literary, pictorial or photographic representations (the in visu)
which depict, anticipate or petrify it ? This book attempts to find
answers to questions like these by elaborating a theory of the art of gardens,
such as has been developed in Western tradition from the time of the Greeks to
today. The philosophic framework of hermeneutics enables us to define the art
of gardens as an art of interpretation, whose purely philosophic explanation
derives from the historic basis that founds this tradition. It thus acquires
the status of a specific hermeneutics with a universal vocation, a sort of
permanent laboratory in which is embodied a vital part of our relation to the
world.
1998
- Architecture and
the Body (L’architecture au corps), Editors : Philippe
Nys,
Chris Younès and Michel Mangematin,
Bruxelles, Editions Ousia, collection Recueil
The Body is
always in the center of our environmental contexts. The main axis of this volume is to think of
architecture in its anthropological, ethical and aesthetical reality “against”
its structural function.
1997
- Logic of Place and Human Work (Logique du lieu et œuvre humaine),
Editors : Augustin Berque and
Philippe Nys,
Bruxelles,
Editions Ousia, collection Recueil
The
logic of place is historically linked to a very importan historical contextt,
the “overcoming of modernity” ( Tokyo colloquium in 1942) and the radical
ontological question raised by Heidegger. This logic is also established
on inspiration, creating all human work.
1997
- Philippe Nys
Editor of Landscape. Function of Aesthetic in
Modern
Society (1962) from Joachim
Ritter, translated from German by Gérard Raulet
(1978), with “The
the poem of Schiller “The Walking”, a commentary of Massimo
Venturi
Ferriolo and a general introduction of
Philippe Nys,
Paris-Besançon,
Editions de l’Imprimeur, collection Jardins et Paysages
Ritters’s thesis consists in showing how the emergence of
the aesthetic feeling of nature had its starting point in the “divorce” between
man and nature. The aesthetic function proper to modernity was built on the
loss of the Aristotelician theoretical concept, which saw nature as a whole and
cosmos. Separated from the cosmos, man may become free and responsible for the
world and for himself. Ritter’s reflexion ends on the need to develop “specific
organs” in the contemporary world – the garden being one of them next to
landscape and cities.
1996
- The Sense of Place : Logos, Topos, Aisthesis (Sens du
lieu : Logos, Topos,
Aisthesis), Editors : Philippe Nys, Chris
Younès and Michel Mangematin,
Bruxelles, Editions Ousia, collection Recueil
Architecture is always, in the same gesture, building and thought. The
question of place involves relationships between individual and collective
identity, history and meanings in a contemporary world submitted to blind
mecanisms which seem full of power. Architecture participates in this
production but it is also a place which resists this domination. The aim of the
book is to open a theoretical and historical horizon to give a newsense to
history.
1995
- The Garden, Art and Place of
Memory (Le jardin, art et lieu de mémoire),
Editors : Philippe Nys and Monique Mosser
Paris-Besançon, Editions de l’Imprimeur,
collection Jardins et Paysages
We are living at a time in
human culture when, once again, everything seems to be uncertain. Interest in
memory is expanding in phase with this uncertainty and confusion. A culture
that loses its memory or that destroys it has no culture. A culture that does
not give people the chance to build their own identity and to die in peace is
not a culture. A culture no longer capable of creating public and private
places worthy of praise and truth is incapable of living and dying; it does
nothing more than survive. Gardens condense all these issues : they are charged
with history, metaphysics and aesthetics, but they also reflect politics and go
to the heart of the symbolic construction of the individual in the world, the
anonymous traveller on this earth. Taking thought on the garden and its design
as an art and on the garden as a place of memory amounts to producing
historical meaning for the contemporary world.
1994 - Trees : Unreal Nature Reproduced (Irréelle Nature Reproduite – Arbre)
Poetic notations for the 11th in the
series of Artbooks by Jean-Paul Ruiz and 25 photographs taken from a microscope
by Voichita Bucur, researcher at INRA (Paris)
OFFICIAL POSITIONS
Maître
de conférences titulaire (=Associated Professor),
Member
of the Team Research EA 4010 Arts des images et art contemporain/ Arts of
Images and Contemporary Art
Member
of the Team Research AMP : Architecture Milieu Paysage/ Architecture Milieu
Landscape,
Regular
interventions in different Schools of Architecture and Landscape :
Paris-Belleville,
QUALIFICATIONS
2002 - Qualification from the National
Council of French Universities,
section 18, Aesthetics (Conseil
national des Universités)
1998
-
Qualification from the National Council of French Universities, section 18,
Aesthetics (CNU/Conseil national des
Universités)
1995 - Ph. D. in Philosophy and Literature,
specialization : Philosophy
Thesis Title : “Elements for Hermeneutics and Phenomenology of
Dwelling Places : Garden –
Architecture – Landscape”,
Appendix Thesis Title :
“The Question of Playing according to Hans Georg
Gadamer”, Free
1973 - B.A. in Philosophy (equivalent to
third level thesis in
Thesis Title : “ Remarks on ‘What is Metaphysics ?’ of
Martin Heidegger”, Free
University of Brussels, Belgium
1970 - B.A. in Philosophy and Literature,
specialization : Roman Philology
Thesis Title : “Georges
Bataille’s Novels”
Free
1970
- Agrégation’ in Philosophy and
Literature,
Free
TEACHING EXPERIENCE
Since
1993 - Associated
Professor,
1997/2001 - Professor,
General Philosophy and Aesthetics
Department of Plastic Arts and Sciences of
Art
1992/2001 - Lecturer :
Schools of Architecture,
Paris-Belleville,
1992/2001 -
Lecturer :
1995/1997 - Associated
Professor,
1991/1994 - Guest
Lecturer, Department of PostGraduate Studies “Gardens, Landscapes,
Territories”
1976/1992 -
Professor of French and Human Sciences
Horticultural
1973/1976 -
Professor of French, Philosophy and Aesthetics
RESEARCH
EXPERIENCE
2006-2007 - The Picturesque on the Limits of
Modernity II
Chiasma. In
Pursuit of the Contemporary Picturesque
An
international cycle of conferences with 6 x 2 lectures :
Manuel Gausa
(Barcelone) - Stefano Boeri (Milan) //
Eric Luiten (Delf)- Christophe Girot
(
(
Marc Mimram
(Marne La Vallée) // David Howes (Montréal)- Stalker
(Francesco
Careri - Lorenzo Romito) (Rome) // John
MacArthur (Queen
The hypothesis of an enlarged picturesque, protean,
operating at the scale of the planet and
“adhering” in a certain way constantly to its movements and specific
spheres, implies and permits the posing of a series of questions calling for
responses, at different levels, approaches, disciplinary fields. What, for
example, is the future of the classic trilogy “beau, picturesque, sublime” in
view of the destiny of art and the arts in the 20th century, of the development
of techniques and of technology, notably of media and multimedia? According to
which models and modalities is the “production of space” made? What are the
modalities of creation in a contemporary picturesque regarding the future of
cities, the disqualification/ re-qualification of waste-land and industrialized
zones? What about the treatment or abandonned suburbs, the conquest of new
territories and markets created by enterprises and demographic growth? What are
the modes and modalities of the manufacturing of images, materials, masks? How
about the central question of the means of reproduction, diffusion, reception of spaces and production of objects
and the images they generate? What of
the specific role of editors and graphic designers in the production of
contemporary sites?
In the unfolding of these questions, among others, the
ambition of this cycle is to test the pertinence of our hypothesis, to
understand the reasons for the efficiency of the contemporary picturesque,
reasons which could also reveal themselves to be the same as those of its
devalorization, in short to better define and discern its original legitimacy,
its metamorphoses (historic) and its limits (structurel).
2004-2005
The Picturesque on the Limits of Modernity I
Two international seminars with around 20 guests :
Shin
ichi Anzai (Tokyo Literature) - Martine Bouchier (Paris La Seine/Architecture
and Arts) - Bernard Colenbrander (Rotterdam/Urbanism) - Philippe Gresset (Paris
Malaquais/Architecture and History) - William Guerrieri (Rubiera/Italy
Photography) - Souhei Imamura (Tokyo/ Architecture) - (Tokyo) - Stephen Jacobs
(Ghent, Belgium Photography) - David
Leatherbarrow (Philadephia/ Architecture and Landscape) - Thierry
Mandoul (Paris Malaquais/ Architecture and History) - Panos Mantziaras (Paris
Malaquais Architecture and Theory) - Bruno Notteboom (Ghent, Belgium/Landscape
and Tourism) - Philippe Nys (Paris8 Landscape and Theory) - Franscesca Orestano (Politecnico Milano/Literature and
Landscape) - Shiina Ryosuké (Kyoto/Landscape and Music) - Rossella Salerno (Politecnico
Milano/Landscape and Theory) - Misuaki Shigemori (Kyoto/ Art of Gardens) -
Marc Treib (Berkeley/Landscape and
History) - Mirihiro Satow (Kyoto/ Photography and History) - Christian
Speissman (Paris Landscape) - David Tucker (Univ of Iowa/Landscape and History)
A dimension of generalized picturesque may be said to be
operative on a world scale today, involved in the contemporary making of
places: it goes from the small scale of the constructive detail, from the
sculptural and the immediately visual to the ambition and the scope of the
landscape - fragmented or total, material or visual, critical and
ideological... Such is the fundamental hypothesis that defines this research in
its structure, its dynamics and its stakes. This first meeting intends to
examine this hypothesis in threefold manner : give an account of its historical
basis and of theoretical dimensions; compare these elements with the actual
ways in which the picturesque forms (indigenous or imported) have taken place
in Europe and in Japan; and, above all, put in perspective the whole of these
elements in the becoming and the transmission of forms, materials and places,
on a globe characterized by the generalized circulation of goods and images.
2001 - Visiting
Professor,
August - January
2000-2001 -
Director of seminars
2000 - Visiting
Professor,
April - September
1997/1999 -
Guest Lecturer,
(Ecole
des hautes Etudes en Sciences Sociales (EHESS)
1996/1997 -
“Art/Architecture/Light. New Places and Conditions of Perception”,
Plastic Arts Delegation, French Ministry of
Culture,
1992/1998
- Programme Director,
International College
of Philosophy (Collège international de philosophie)
CIPh-Paris,
“Hermeneutics
and Phenomenology of Dwelling Places : Garden –
Architecture
– Landscape”
1990/1992
- Director of Seminars
Paris
EDITORIAL
ACTIVITIES
Editor
of the Series “Art(s) des Lieux”,
Two
volumes edited
Founder Member and Member of the
Editorial Committee of the Periodical “Landscape Notebook” (Les Carnets du
Paysage), since 1998
Paris-Arles, National
Co-Editor of “Gardens and
Landscapes”, Series edited by Philippe Nys and Monique Mosser, Paris-Besançon,
Editions de l’Imprimeur, since 1995
This series provides vital
references for students, architects, town planners, historians and philosophers
as well as for readers interested in gardens, garden-makers and collectors. By
publishing fundamental works of the past – forgotten, unknown or un-translated
– along with French and foreign, historic and contemporary, aesthetic and
theoretical works, we hope to reveal the complexity and hidden wealth of a
prime source of poetic imagination. Eight titles published.
Editor
of the Series “Recueil”,
The main line of the
series is to publish collective volumes around a philosophical theme within an
interdisciplinary framework. Twenty issues, of which some volumes deal with the
relationships between architecture, philosophy, space and landscape.
CONSULTANT
Public
2006 - Member of the winner's team for a
Project and Planning for a Center of
Landscape and
Rural Development, Saint Benoît du Sault
Cultural Ministery, Agricultural Ministery
and different local and regional
Powers
2000 - Council of
Participants :
Council of Europe,
-
European Foundation for Heritage Skills,
Council of Europe,
1997/1999 - International Competition “The
Landesgartenschau 2004 Kehl-Strasbourg”,
Strasbourg-Kehl
1997/1999 - Survey, Seminars and
Conference for the “Cultural and Artistic Reutilization
of the cultural of Historical Heritage of
Europe”,
1997/1999
- Project, Planning and
Report of The International Landscape Center-Cultural
Cultural
Ministery, Ministery for the Environment and National and Development, Agricultural Ministery
1995
-
Study and Report for the Development of the Landscapes and Gardens of the
Nord-Picardie Region,
Regional Administration for Facilities and
Amenities
Private
2000/present - Associate Consultant with the landscape
Agency “Signes” (
for example the Competition “Restoration of
the
Chaumont”
1997/2005 - Consultant for the Landscape
Agency “Empreinte” (
Competition for the Design and Utilisation
of the Landscape and
Surroundings of the Achères Treatment Plant
(Interdepartment
Administration for the Rehabilitation of the
interdépartemental pour
l’assainissement de l’agglomération parisienne
(SIAPP),
Project Winner, in the Process of being
implemented
1994 - Consultant for “PUR”, Consultancy and
Advisory Body,
Competition
for Ideas for the Reconversion of the Site and Surroundings of the Former Prison of
ARTICLES
1.
“ The Garden in the Age of
Reason”,
Lumières et Romantisme, Annales
de l'Institut de philosophie de l'Université libre de
Bruxelles, Paris, Vrin, 1989, pp. 57-76
2.
“ Reflections on the Dialogue
between Martin Heidegger and Ernst Jünger”,
L’expérience du temps,
Bruxelles, Recueil /Ousia, 1989, pp. 161-174
3. “ Celebration of a Sphere. About a
Sculpture by Arnoldo Pomodoro”,
Au-delà du paysage moderne,
Augustin Berque editor, Paris, Le
Débat/Gallimard n°65, 1991, pp. 88-93
4. “ The Idea
of Town as Concrete Experience of Time and Space »,
Temps et Espace, Bruxelles, Recueil/Ousia, 1992, pp. 109-124
5.
“ Mimesis of Art and
Nature », Sites et Paysages,
Reims, Parc naturel de la
Montagne de Reims, 1992, pp. 51-67
6.
“ Elements to an Hermeneutics
of Gardens and Landscape. About the
with photographs by Jacques Vasseur,
Donner l’habiter, Ecole
d'Architecture de Clermont-Ferrand, 1992, pp. 86-1207.
7. “ The Kairos of Place”,
Chaos Harmonie Existence, Ecole d'Architecture de
Clermont-Ferrand, 1993, pp. 47-
66
8.
“ Landscape and the Question of the
‘Feeling’”,
Géographie et cultures n°9, Paris, L'Harmattan, 1994,
pp.107-126
9.
“ Wild Nature and Art”,
Catalogue de l'exposition Art grandeur nature II, Paris, Parc de
la Courneuve/Conseil
général de Seine St Denis, 1994,
pp. 4-9
10.
“ Games, Process of Creation and the Art of Place”,
Transversal
Seminar De l'expérience, Paris,
Papiers du Collège International de
philosophie
(CIPh), n°21, 1994, p. 57-77
11. “ Ekphrasis of Gaillon.
About an Artistic Installation of Jacques Vieille : To Garden”,
Rouen, catalogue DRAC of
exhibition, 1995, pp. 9-24
12. “ Landscape’s
Effervescences”,
Dossier Pour l'amour du paysage, Paris, Esprit,
July 1995, pp.142-149
13.
“ The Garden : the Idea of
Nature between Paradise and Celestial
La nature, Philosophie politique n°6, Paris,
Presses universitaires de France, 1995,
pp. 125-150
14. “ The
Great Forms. About a
Jacques Vieille’s Installation”,
The Garden, Art and Place of Memory,
Philippe Nys and Monique Mosser editor,
Paris-Besançon, Editions de
l’Imprimeur, 1995, pp. 509-522
15.
“ The Garden, a Non Textual Hermeneutics of Place : the Question of
Ekphrasis”,
Lire l’espace, sous la
direction de J. Poirier et J.-J. Wunenberger,
Bruxelles,
Recueil/Ousia, 1996, pp. 289-312
15bis.Text
translated and published in Spanish,
“El Arte de
Los Jardines : Una hermeutica del Lugar y la cuestion de la ekphrasis”,
El jardin como arte. Arte y
Naturaleza, J. Maderuelo editor, Huesca
16. “ ‘About
Airs, Waters, Places’.
Commentary to Hippocrates Treatise »
Le sens du lieu, Ph. Nys, Ch. Younès, Michel Mangematin editor
Bruxelles, Recueil/Ousia, 1996, pp. 385-434
17. “
Phenomenology and Hermeneutics in Architecture. Commentary on ‘Architecture and
the Crisis of Modern Science” of Alberto
Perez-Gomez,
Le sens du lieu, Ph. Nys, Ch. Younès, Michel Mangematin editor Bruxelles,
Recueil/Ousia, 1996, pp. 163-174
18. “
Relationship between Art and Architecture. Toward an Expanded Field of
Architecture”,
with Martine Bouchier,
Le philosophe chez
l’architecte, Chris
Younès editor Paris, Descartes & Cie, 1996,
pp.127-150
19. “ To a
Hermeneutics of Landscape”,
Les enjeux du paysage, sous la direction de Michel Collot,
Bruxelles, Recueil/ Ousia,
1997, pp.
342-362
20. “ Landscape as Hermeneutics”,
Université de Dijon, Interfaces 11-12, 1997, pp. 93-112
21. “ Monument and Creation. About Aloïs Riegl’s
“Cult of Monuments”,
Paris, Travées, revue des Centres culturels de rencontre, 1997, pp. 20-26
22. “
Landscape and Re-Presentation. The Earth as Landscape”,
Le paysage et ses grilles, sous la direction de Françoise
Chenet, Paris,
Esthétique/L’Harmattan,
1997, pp. 131-141
23. “
Introduction” and “ A Place on Limits of Creation : the Garden”
Logic of
Place and Human Work, Editors : Augustin Berque and Philippe Nys
Bruxelles, Ousia, Recueil, 1996, pp.
5-8 and pp. 133-162
24. “ The
Bouchier, Paris, Les Carnets du paysage, n°2,
Arles/Paris, Actes Sud/Ensp, 1998, pp.
114-123
25. “ To
Reconcile
Leçons de jardins à travers l’Europe, First
Publication of European Cultural Itinerary,
26. “ Garden
as Symbolic Institution”,
Felipe II En Rey Intimo. Jardin y Naturaleza en el siglo XVI, Aranjuez, 1998, pp.
289-306 [in
French]
27. “The
Ethical and Aesthetic Status of the Garden in the City”,
Lausanne, une envie de ville heureuse, sous
la direction de Lorette Coen,
Lausanne, Editions du
Péribole/Ensp, 1998, pp. 118-123
developped
version in Ville contre-nature.
Philosophie et architecture, sous la direction
de Chris Younès, Paris, La Découverte, 1999, pp. 195-213
28. “Art and
Nature : a Genealogical Perspective”,
Paris, Autrement,
March 1999, pp. 241-263
28bis. Text translated and published in
German, with “Innere Garten”, photographs by Eva
Maria Schön, Bâle, Kunstforum, Mei 1999, pp. 71-85
29. “
Metamorphosis of Historic Monuments and the Framework for their Re-Using :
Theories and
Representations in Europe”,
Centers-Historical
Monuments, 1999, pp. 6-41
30. “ Fatal
Attraction ? The Passion of Heritage”,
Les Carnets du paysage, n°4, Autumn/ Winter 1999, dossier
« Désir de patrimoines »,
pp. 66-79
31. “ Notes
on Frederic Law Olmsted and Photography”,
Les Carnets du Paysage, n°4,
Ensp/Paris and Actes/Sud, Arles, 1999
32.
“ Interview” by Nakazawa Shin’ichi, “The Earth as Landscape”,
“Introduction”
by Shiina
Ryosuke, [in English and Japanese] Coucou
no tchi, n°2, Spring 2000, pp.
96-129
33. “ From
Thought to the
Art et jardins, Musée d’art contemporain de Montréal, 2000, pp. 143-177
34. “ Blue
Light. Be Careful : Gardens !. Project for the
Art of
Garden”, winner, April-October 2000,
35. “
Terraces, a Thousand Levels of Landscape”,
Compar(a)ison. An International Journal
of Comparative Literature, Paysages (III),
36. “ The
Blind Spot of the Overcoming of Modernity”,
Logic of the Place and the
Overcoming of Modernity, volume II, Augustin Berque editor, Bruxelles,
Ousia, Recueil, 2000, p. 119-138
37. “
The Villa d’Este at
Architecture & Landscape, Jan
Birksted ed.,
38. “ Garden as a Symbolic
Institution”, Histoires de Jardins -
Rencontres de La Garenne
Lemot, J. Pigeaud et J.-P Barbe directeurs, Paris, Presses universitaires de France,
2001, pp.
1-24
39. "
Landscape and Heritage - Challenges of an Environmental Symbol" [only in
English]
Forward
Planning : The Function of Cultural
Heritage in a Changing
40. « The Garden, State of Place »,
Le paysage, état des lieux, Recueil/Ousia, octobre 2001,
pp.395-418
41. « Modelages »,
Canadian
Aesthetics Journal / Revue canadienne d'esthétique (Æ), volume 6,
automne
2001, edited by Manon Regimbald, www.uqtr.ca/AE/, 20p. [only
in French]
42. « The
Japan Foundation,
42bis, Developped version in Concepts5, Editions Sils Maria, 2002
42. “ Landscape as Spiritual Exercise. About
Hadrian’s Villa”,
Actes du colloque sur la Villa d’Hadrien,
Panthéon-Sorbonne, Henri Lavagne and
Monique Mosser editor, 2002, pp. 165-181
44."The Allegory of the Cave : Stakes of
a Dispositif of Light",
in Lumières, Martine Bouchier editor, Editions Ousia, collection
Arts des lieux, 2002,
pp. 51-64
45. « The Milieu in Question within the Horizon of
Hermeneutics »,
issue of the
46. « Quale ermeneutica per
il paesaggio? »,
Leo Olscki editore,
47. « Promenade and Amenity »,
NTS inc.,
48. "The Expanded Field of the Picturesque",
Architecture d'Aujourd'hui, mars 2006, 8p. [in French and English]
49. "Untimely Considerations to serve as an
Introduction to the Picturesque,
in How to re-use the Architectural Heritage, Les
Dossiers de l'IPW,
2006
50. "Trades and Professions of the Landscape",
in Landscape's Conversations
2004, Les Presses agronomiques de Gembloux,
51. "Landscapes of the Borders",
in Landscape and Modernitie(s), Aline Bergé and
Michel Collot editors, Editions
Ousia, collection Recueil (to be published at the end of
2007)
52. "Icone's Way",
in Transitional Zones, Martine Bouchier and Philippe
Nys editors,
ArchiBooks, Paris(to be published at the end of 2007)
53. "Body, Crowd, Space or the Collaboration of the
In-between",
in The
Foundation,
links :
http://www.bib.fsagx.ac.be/ebook/97828701607944/63.pdf
Contact: t philippe.nys@laposte.net
Contact